作業工程用カルーセル
Goblet and lid enameled with flower pattern circa 1500, Venice Among the glassware produced during the golden age of Venetian glass, this one is regarded as a masterpiece. Islamic-inspired flowery dot pattern on the Byzantine-style vessel exudes a unique look, symbolic of Venice being a prosperous center for east-west cultural interchange.
Goblet and lid in filigrana a retorti Late 16th century to early 17th century, Venice Venetian filigrana lace glass was world-famous and coveted by the European aristocracy during the 15th and 16th centuries. Murano glassmakers worked to find a way to embed the lace pattern inside colorless, transparent glass and succeeded.
Goblet in opalescent glass with flowers stem circa 1880, Salviati factory, Venice This large goblet was made by the Salviati factory, using a design suiting the new era while following Venetian glass traditions. It uses translucent, milky white opalescent glass with bluish tints to create a work of fantastic beauty.
Cup swaying in the wind 1895, Artisti Barovier Studio, by Giuseppe Barovier, Venice Experimental glassware by master glassmaker Giuseppe Barovier in the Art Nouveau style which was very popular in Europe in the late 19th century. The long, thin stem similar to a plant stem is fused to a large bowl that sways even in the slightest breeze. Exhibited at the 1st Venice Biennale in 1895 where it attracted much attention as miracle glassware dispelling glassmaking norms with amazing skills.
Lamp in millefiori glass circa 1910, Fratelli Toso Studio, Venice A lamp made using ancient mosaic glass techniques. It is also called "Millefiori'', which means a thousand flowers in Italian, because of its pattern that looks like it is covered with flowers. This piece is made by welding flower-patterned glass pieces into a single plate, then winding it around a small amount of glass seed and forming it using the air-blowing technique unique to Venetian glass.
作業工程用カルーセル
Goblet and lid enameled with flower pattern circa 1500, Venice Among the glassware produced during the golden age of Venetian glass, this one is regarded as a masterpiece. Islamic-inspired flowery dot pattern on the Byzantine-style vessel exudes a unique look, symbolic of Venice being a prosperous center for east-west cultural interchange.
Goblet and lid in filigrana a retorti Late 16th century to early 17th century, Venice Venetian filigrana lace glass was world-famous and coveted by the European aristocracy during the 15th and 16th centuries. Murano glassmakers worked to find a way to embed the lace pattern inside colorless, transparent glass and succeeded.
Goblet in opalescent glass with flowers stem circa 1880, Salviati factory, Venice This large goblet was made by the Salviati factory, using a design suiting the new era while following Venetian glass traditions. It uses translucent, milky white opalescent glass with bluish tints to create a work of fantastic beauty.
Cup swaying in the wind 1895, Artisti Barovier Studio, by Giuseppe Barovier, Venice Experimental glassware by master glassmaker Giuseppe Barovier in the Art Nouveau style which was very popular in Europe in the late 19th century. The long, thin stem similar to a plant stem is fused to a large bowl that sways even in the slightest breeze. Exhibited at the 1st Venice Biennale in 1895 where it attracted much attention as miracle glassware dispelling glassmaking norms with amazing skills.
Lamp in millefiori glass circa 1910, Fratelli Toso Studio, Venice A lamp made using ancient mosaic glass techniques. It is also called "Millefiori'', which means a thousand flowers in Italian, because of its pattern that looks like it is covered with flowers. This piece is made by welding flower-patterned glass pieces into a single plate, then winding it around a small amount of glass seed and forming it using the air-blowing technique unique to Venetian glass.
Sandblasting Workshop
Sandblasting Workshop
title：5：3
catch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copy
sub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copy
５：３で右画像／テキスト列は、要素全部掲載
title
catch
タイトルあり
画像はオリジナルサイズ
リンクなし
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
タイトルあり
画像はオリジナルサイズ
リンクあり
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
catch
タイトルなし
正方形（画像は長方形）
リンクなし
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
catch
タイトルなし
正方形（画像は長方形）
リンクなし
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
リンクあり
正方形（画像は長方形）
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
リンクあり（新規ウィンドウ）
正方形（画像は長方形）
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
タイトルあり
画像はオリジナルサイズ
リンクなし
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
タイトルあり
画像はオリジナルサイズ
リンクあり
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
catch
タイトルなし
正方形（画像は長方形）
リンクなし
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
catch
タイトルなし
正方形（画像は長方形）
リンクなし
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
リンクあり
正方形（画像は長方形）
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch
リンクあり（新規ウィンドウ）
正方形（画像は長方形）
sub catch
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
Seasonal flowers in the mountains of Hakone
Cherry blossom, azalea, Japanese andromeda, wisteria, Hakone rose
read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt read txt
title
catch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copy
sub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copy
５：３で右画像／テキスト列は、要素全部掲載
title：3：10
catch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copycatch copy
sub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copysub catch copy
５：３で右画像／テキスト列は、要素全部掲載
タイトル（背景なし）
サブキャッチ（背景なし）
リード（背景なし）
タイトル（背景なし）
サブキャッチ（背景なし）
title（罫線無しデフォルト確認）
catch
readTXT
title
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catchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtext
subcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtext
readtextreadtextreadtextreadtextreadtextreadtextreadtextreadtextreadtext
titletitletitletitletitle
catchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtext
subcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtext
readtextreadtextreadtextreadtextreadtextreadtextreadtextreadtextreadtext
titletitletitletitletitle
catchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtextcatchtext
subcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtext
readtextreadtextreadtextreadtextreadtextreadtextreadtextreadtextreadtext
titletitletitletitletitle
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subcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtextsubcatchtext
readtextreadtextreadtextreadtextreadtextreadtextreadtextreadtextreadtext
History of Venetian glass
キャッチコピー
Since the time of ancient Rome to today, Venetian glass has been a major part of Venetian history and has set the destiny of people on Murano.
The Roman Empire
The history of Venetian glass started with Roman glass in the Roman Empire (1st century BC to 5th century AD). Glassblowing was a revolutionary invention already used by many glass factories throughout the Italian peninsula. Glassmaking techniques and glassware spread throughout the world. However, with the fall of the Roman Empire in 476, the glass industry quickly declined.
Rialto
In the 8th century, the central part of the Venetian Republic moved to Rialto, where many churches and cathedrals were built all over the island. Many glass factories also moved to Rialto.
Booming glass industry
In 1078, the reconstruction of St. Mark’s Basilica started. Glass mosaics were installed on all the walls. According to historical documents, 29 glassworkers were fined for violating glassmaking customs and regulations. This indicates a booming glass industry.
Governmental protection and control
The 13th century saw major involvement of the government in the Venetian glass industry. It formed the Venetian Glass Guild in 1268, concluded contracts with Antioch (Syria’s largest producer of glass) to import raw glass materials, directly controlled firewood to streamline fuel management, and banned operations in summer.
Then in 1291, the Venetian government, seeking to protect the Venetian glass industry, enacted a law to require all glass makers, assistants, and their families to move to Murano island. Any escapees would be punished with death. The development of Venetian glass then centered on Murano.
The heyday of Venetian glass
In the 13th and 14th centuries, Venetian glass developed under the strong influence of Byzantine and Islamic aesthetics, especially in enameling techniques and designs. In the 15th century, it matured further with the backdrop of the Italian Renaissance.
In the latter half of the 16th century, Venetian glass reached its zenith with many groundbreaking techniques for finer and more splendid designs like diamond-point engraving, lace glass (filigrana), crystal glass, crackled glass, and marbled glass. Glassware in diverse forms for diverse functions were produced.
Hard times
In the 18th century, a new industrialism emerged in Europe when countries imposed high tariffs on imported goods to protect domestic industries. As a result, glass-producing countries suffered a drastic drop in exports and many glass factories went bankrupt. Murano was no exception.
To overcome these hard times, Murano glassmakers did whatever they could to survive by producing finer mosaics, church interiors and ornaments, and exporting to Africa and Southeast Asia. However, the dissolution of the Venetian Republic in 1797 marked the end of governmental patronage of the glass industry. Ten years later in 1806, Murano’s venerable glassmakers’ guild was forced to disband after 500 years.
The modernization of Venetian glass
While Murano’s glass industry faced stagnation, modernization kicked off a new era in the 19th century. Many museums and archives were established as new platforms for industry and education. The new museums needed vintage artifacts to be exhibited. But there were not enough of them, so Murano’s master glassmakers created replicas of ancient glassware.
This was followed by their glass mosaic techniques with colored glass inimitable by any glassmaker in any other country. They restored old church murals and created a new sector for interior design glasswork. It was a new beginning after a period of hardship.
Murano also saw many new movements. They included the construction of modern factories, the loosening of the closed system, the establishment of educational institutions for apprentices, the construction of glass museums, and the organizing of exhibitions and research societies. Through the cooperation of pioneering leaders and traditional craftsmen, Venetian glass arose from a dark period to go forward on the path to modernization.
Since the time of ancient Rome to today, Venetian glass has been a major part of Venetian history and has set the destiny of people on Murano.
The Roman Empire
The history of Venetian glass started with Roman glass in the Roman Empire (1st century BC to 5th century AD). Glassblowing was a revolutionary invention already used by many glass factories throughout the Italian peninsula. Glassmaking techniques and glassware spread throughout the world. However, with the fall of the Roman Empire in 476, the glass industry quickly declined.
Rialto
In the 8th century, the central part of the Venetian Republic moved to Rialto, where many churches and cathedrals were built all over the island. Many glass factories also moved to Rialto.
Booming glass industry
In 1078, the reconstruction of St. Mark’s Basilica started. Glass mosaics were installed on all the walls. According to historical documents, 29 glassworkers were fined for violating glassmaking customs and regulations. This indicates a booming glass industry.
Governmental protection and control
The 13th century saw major involvement of the government in the Venetian glass industry. It formed the Venetian Glass Guild in 1268, concluded contracts with Antioch (Syria’s largest producer of glass) to import raw glass materials, directly controlled firewood to streamline fuel management, and banned operations in summer.
Then in 1291, the Venetian government, seeking to protect the Venetian glass industry, enacted a law to require all glass makers, assistants, and their families to move to Murano island. Any escapees would be punished with death. The development of Venetian glass then centered on Murano.
The heyday of Venetian glass
In the 13th and 14th centuries, Venetian glass developed under the strong influence of Byzantine and Islamic aesthetics, especially in enameling techniques and designs. In the 15th century, it matured further with the backdrop of the Italian Renaissance.
In the latter half of the 16th century, Venetian glass reached its zenith with many groundbreaking techniques for finer and more splendid designs like diamond-point engraving, lace glass (filigrana), crystal glass, crackled glass, and marbled glass. Glassware in diverse forms for diverse functions were produced.
Hard times
In the 18th century, a new industrialism emerged in Europe when countries imposed high tariffs on imported goods to protect domestic industries. As a result, glass-producing countries suffered a drastic drop in exports and many glass factories went bankrupt. Murano was no exception.
To overcome these hard times, Murano glassmakers did whatever they could to survive by producing finer mosaics, church interiors and ornaments, and exporting to Africa and Southeast Asia. However, the dissolution of the Venetian Republic in 1797 marked the end of governmental patronage of the glass industry. Ten years later in 1806, Murano’s venerable glassmakers’ guild was forced to disband after 500 years.
The modernization of Venetian glass
While Murano’s glass industry faced stagnation, modernization kicked off a new era in the 19th century. Many museums and archives were established as new platforms for industry and education. The new museums needed vintage artifacts to be exhibited. But there were not enough of them, so Murano’s master glassmakers created replicas of ancient glassware.
This was followed by their glass mosaic techniques with colored glass inimitable by any glassmaker in any other country. They restored old church murals and created a new sector for interior design glasswork. It was a new beginning after a period of hardship.
Murano also saw many new movements. They included the construction of modern factories, the loosening of the closed system, the establishment of educational institutions for apprentices, the construction of glass museums, and the organizing of exhibitions and research societies. Through the cooperation of pioneering leaders and traditional craftsmen, Venetian glass arose from a dark period to go forward on the path to modernization.
History of Venetian glass
キャッチコピー
Since the time of ancient Rome to today, Venetian glass has been a major part of Venetian history and has set the destiny of people on Murano.
The Roman Empire
The history of Venetian glass started with Roman glass in the Roman Empire (1st century BC to 5th century AD). Glassblowing was a revolutionary invention already used by many glass factories throughout the Italian peninsula. Glassmaking techniques and glassware spread throughout the world. However, with the fall of the Roman Empire in 476, the glass industry quickly declined.
Rialto
In the 8th century, the central part of the Venetian Republic moved to Rialto, where many churches and cathedrals were built all over the island. Many glass factories also moved to Rialto.
Booming glass industry
In 1078, the reconstruction of St. Mark’s Basilica started. Glass mosaics were installed on all the walls. According to historical documents, 29 glassworkers were fined for violating glassmaking customs and regulations. This indicates a booming glass industry.
Governmental protection and control
The 13th century saw major involvement of the government in the Venetian glass industry. It formed the Venetian Glass Guild in 1268, concluded contracts with Antioch (Syria’s largest producer of glass) to import raw glass materials, directly controlled firewood to streamline fuel management, and banned operations in summer.
Then in 1291, the Venetian government, seeking to protect the Venetian glass industry, enacted a law to require all glass makers, assistants, and their families to move to Murano island. Any escapees would be punished with death. The development of Venetian glass then centered on Murano.
The heyday of Venetian glass
In the 13th and 14th centuries, Venetian glass developed under the strong influence of Byzantine and Islamic aesthetics, especially in enameling techniques and designs. In the 15th century, it matured further with the backdrop of the Italian Renaissance.
In the latter half of the 16th century, Venetian glass reached its zenith with many groundbreaking techniques for finer and more splendid designs like diamond-point engraving, lace glass (filigrana), crystal glass, crackled glass, and marbled glass. Glassware in diverse forms for diverse functions were produced.
Hard times
In the 18th century, a new industrialism emerged in Europe when countries imposed high tariffs on imported goods to protect domestic industries. As a result, glass-producing countries suffered a drastic drop in exports and many glass factories went bankrupt. Murano was no exception.
To overcome these hard times, Murano glassmakers did whatever they could to survive by producing finer mosaics, church interiors and ornaments, and exporting to Africa and Southeast Asia. However, the dissolution of the Venetian Republic in 1797 marked the end of governmental patronage of the glass industry. Ten years later in 1806, Murano’s venerable glassmakers’ guild was forced to disband after 500 years.
The modernization of Venetian glass
While Murano’s glass industry faced stagnation, modernization kicked off a new era in the 19th century. Many museums and archives were established as new platforms for industry and education. The new museums needed vintage artifacts to be exhibited. But there were not enough of them, so Murano’s master glassmakers created replicas of ancient glassware.
This was followed by their glass mosaic techniques with colored glass inimitable by any glassmaker in any other country. They restored old church murals and created a new sector for interior design glasswork. It was a new beginning after a period of hardship.
Murano also saw many new movements. They included the construction of modern factories, the loosening of the closed system, the establishment of educational institutions for apprentices, the construction of glass museums, and the organizing of exhibitions and research societies. Through the cooperation of pioneering leaders and traditional craftsmen, Venetian glass arose from a dark period to go forward on the path to modernization.
Since the time of ancient Rome to today, Venetian glass has been a major part of Venetian history and has set the destiny of people on Murano.
The Roman Empire
The history of Venetian glass started with Roman glass in the Roman Empire (1st century BC to 5th century AD). Glassblowing was a revolutionary invention already used by many glass factories throughout the Italian peninsula. Glassmaking techniques and glassware spread throughout the world. However, with the fall of the Roman Empire in 476, the glass industry quickly declined.
Rialto
In the 8th century, the central part of the Venetian Republic moved to Rialto, where many churches and cathedrals were built all over the island. Many glass factories also moved to Rialto.
Booming glass industry
In 1078, the reconstruction of St. Mark’s Basilica started. Glass mosaics were installed on all the walls. According to historical documents, 29 glassworkers were fined for violating glassmaking customs and regulations. This indicates a booming glass industry.
Governmental protection and control
The 13th century saw major involvement of the government in the Venetian glass industry. It formed the Venetian Glass Guild in 1268, concluded contracts with Antioch (Syria’s largest producer of glass) to import raw glass materials, directly controlled firewood to streamline fuel management, and banned operations in summer.
Then in 1291, the Venetian government, seeking to protect the Venetian glass industry, enacted a law to require all glass makers, assistants, and their families to move to Murano island. Any escapees would be punished with death. The development of Venetian glass then centered on Murano.
The heyday of Venetian glass
In the 13th and 14th centuries, Venetian glass developed under the strong influence of Byzantine and Islamic aesthetics, especially in enameling techniques and designs. In the 15th century, it matured further with the backdrop of the Italian Renaissance.
In the latter half of the 16th century, Venetian glass reached its zenith with many groundbreaking techniques for finer and more splendid designs like diamond-point engraving, lace glass (filigrana), crystal glass, crackled glass, and marbled glass. Glassware in diverse forms for diverse functions were produced.
Hard times
In the 18th century, a new industrialism emerged in Europe when countries imposed high tariffs on imported goods to protect domestic industries. As a result, glass-producing countries suffered a drastic drop in exports and many glass factories went bankrupt. Murano was no exception.
To overcome these hard times, Murano glassmakers did whatever they could to survive by producing finer mosaics, church interiors and ornaments, and exporting to Africa and Southeast Asia. However, the dissolution of the Venetian Republic in 1797 marked the end of governmental patronage of the glass industry. Ten years later in 1806, Murano’s venerable glassmakers’ guild was forced to disband after 500 years.
The modernization of Venetian glass
While Murano’s glass industry faced stagnation, modernization kicked off a new era in the 19th century. Many museums and archives were established as new platforms for industry and education. The new museums needed vintage artifacts to be exhibited. But there were not enough of them, so Murano’s master glassmakers created replicas of ancient glassware.
This was followed by their glass mosaic techniques with colored glass inimitable by any glassmaker in any other country. They restored old church murals and created a new sector for interior design glasswork. It was a new beginning after a period of hardship.
Murano also saw many new movements. They included the construction of modern factories, the loosening of the closed system, the establishment of educational institutions for apprentices, the construction of glass museums, and the organizing of exhibitions and research societies. Through the cooperation of pioneering leaders and traditional craftsmen, Venetian glass arose from a dark period to go forward on the path to modernization.
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